As the department’s lead Human Resources officer, the Assistant Director is responsible for monitoring and addressing workplace climate and culture issues. The Assistant Director leads a unit committed to reflecting the Department’s mission, vision and strategic focus areas of Operational Effectiveness, Staff Development and Professionalism, Safety, Student Experience and Environments and Modernization in all aspects of the work of the Employee Services unit. The Assistant Director oversees the management of all equity, retention, recruitment, benefits, employee relations, training and development and policies issues for the Department’s exempt, non-exempt, contingent and student employees. Information reported by the background check will not automatically disqualify you from employment. Offers of employment are contingent on completion of a background check. The University is committed to attracting and retaining outstanding and diverse faculty and staff that will enhance our stature of preeminence in our three missions of teaching, scholarship, and full engagement in our community, the state of Maryland, and in the world. Synergistic opportunities for our faculty and students abound and are virtually limitless in the nation’s capital and surrounding areas. This unique proximity to business and technology leaders, federal departments and agencies, and a myriad of research entities, embassies, think tanks, cultural centers, and non-profit organizations is simply unparalleled. Our 1,250-acre College Park campus is just minutes away from Washington, D.C., and the nexus of the nation’s legislative, executive, and judicial centers of power. $38-$78+b.f.Founded in 1856, University of Maryland, College Park is the state’s flagship institution. Ensemble Theatre, 78 McDougall St, Kirribilli. “Our relocation of Fully Committed to Sydney’s restaurant culture means the play speaks directly to our local experience of the ‘foodie’ phenomena,” Champion says. The sole cast member Contessa Treffone carries the play as Sam, who must juggle the demands of some 40 insistent characters at the price of losing her job. It also explores the social divisions between those who are doing the serving and those who are being served.įrom “global fusion” to “molecular gastronomy,” high-end dining may have changed its vocabulary as often as it has changed its ingredients, but the number of aficionados just keeps increasing. The work takes a potshot at socialites who are denied entry to their favourite Woolloomooloo eating spot. “On top of that,” Champion adds, “We’ve been able to make the protagonist a woman, which again gives a fresh perspective to the play’s material. It’s a comedy undercut with pathos for the woman at its centre who is simply trying to do her job.” “We went through the script finding any expressions or place and character names that were distinctly American and changed them to equivalent colloquial references.”Ĭhampion says she was thrilled when she heard that Mode was happy to allow this relocation as it makes the play immediately relevant and recognisable to a local audience. “I worked together with Australian writer and dramaturg Jane Fitzgerald to relocate the play from Manhattan to Sydney,” she says. How did director Kate Champion adapt the 2000 comedy by American playwright Becky Mode for Ensemble Theatre audiences?
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